August Wilson

August Wilson has already given the American theater such spell-binding plays about the black experience in 20th-century America as Ma Rainey's Black Bottom, Joe Turner's Come and Gone, and the Pulitzer Prize-winning, Fences. In his second Pulitzer Prize-winner, The Piano Lesson, Wilson has fashioned his most haunting and dramatic work yet. At the heart of the play stands the ornately carved upright piano which, as the Charles family's prized, hard-won...

"Set in the 1970s, this richly textured piece follows a group of men trying to eke out a living by driving unlicensed cabs, or jitneys. When the city threatens to board up the business and the boss's son returns from prison, tempers flare, potent secrets are revealed and the fragile threads binding these people together may come undone at last."--Overlookpress.com.

"August Wilson liked to say that his plays were "fat with substance." And he was right: his ten-play cycle - Wilson wrote one for every roiling decade of the African-American experience in the twentieth century - transforms historical tragedy into imaginative triumph. The blues are catastrophe expressed lyrically; so are Wilson's plays, which swing with the pulse of the African-American people, as they moved, over the decades, from property to personhood....

A play that emphasizes the African-American struggle for power in urban America in the 1920's.

King Hedley II is the eighth work in playwright August Wilson's 10-play cycle chronicling the history of the African American experience in each decade of the twentieth century. It's set in 1985 and tells the story of an ex-con in post-Reagan Pittsburgh trying to rebuild his life.

In 1950s Pittsburgh, a Black garbage collector named Troy Maxson--bitter that baseball's color barrier was only broken after his own heyday in the Negro Leagues--is prone to taking out his frustrations on his loved ones.